Hauskaa historiaa

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http://www.johnnyrebelrecords.com/

Johnny Rebel is the pseudonym of Cajun/country musician Clifford Joseph "Pee Wee" Trahan (born 1938). Trahan has used this pseudonym most notably on racist recordings issued in the 1960s on J. D. "Jay" Miller's Reb Rebel label of Crowley, Louisiana.
Trahan's songs frequently use the racial epithet nigger and often voice sympathy for Jim Crow-era segregation and the Ku Klux Klan. Nearly all his songs serve as platforms for denigrating African Americans and the civil rights movement.
Trahan first recorded under the Johnny Rebel moniker in the mid-1960s, when the civil rights movement and black empowerment movement reached their zeniths. He employed J. D. "Jay" Miller's recording studio in Crowley, Louisiana. Miller, in fact, produced the sessions and issued the recordings on his own Reb Rebel label.
Trahan's first release — the fifth for the Reb Rebel label — was a 45 RPM single of "Lookin' For A Handout" and "Kajun Ku Klux Klan." He would record five more singles for the label, which included "Nigger, Nigger," "In Coon Town," "Who Likes A Nigger," "Nigger Hatin Me," "Still Looking For a Handout," "Some Niggers Never Die (They Just Smell That Way)," "Stay Away From Dixie," and "Move Them Niggers North."
At least two of Trahan's songs, "Keep A Workin' Big Jim" and "(Federal Aid Hell!) The Money Belongs To Us," were not about race, but about political issues — namely, the efforts of Louisiana district attorney Jim Garrison to solve the Kennedy assassination and U.S. monetary assistance to foreign countries.
Many of these singles were eventually issued in album format by Reb Rebel under the title For Segregationists Only.
After a hiatus of about three decades, Trahan returned as Johnny Rebel in 2001 when he issued his CD single "Fuck You, Osama Bin Laden! (Infidel Anthem)," recorded in response to the September 11, 2001 attacks.
In 2003 Trahan issued the album It's The Attitude, Stupid!, which included the track "If I Could Be A Nigger For A Day."
A number of entities, some affiliated with racist and hate groups, claim ownership of the Johnny Rebel catalog, including Trahan's original recordings from the 1960s. At present, however, it is unclear who actually owns the recordings