Stockholm to Havana

But May I start so festive! We have enjoyed three animated shows. In Stockholm celebrated the 70th birthday of King Carl XVI Gustaf of Sweden with a parade of ancient crowned heads, including our emeriti Reyes, who reappeared after a temporary interruption of their coexistence as soon looking forward to it. In Havana, Karl Lagerfeld sewed a stitch master: move the old Paseo del Prado his Chanel cruise collection, collecting applause and virulent criticism accusing him of opportunist before the resurgence of Castros still not free from Havana. And at the Met in New York they returned to parade personalities Anna Wintour, editor of American Vogue, invited to share a moment of immortality. The glamor now is such a political and commercial weapon.

The house Chanel held its parade in Havana and I imagine it would be almost a diplomatic triumph without anticipating the controversy in social networks. It all started with the trip to Cuba of Caroline of Monaco just emerged that United States lifted the economic embargo for 54 years remained on the island and the regime of Fidel Castro.(http://www.dressesmallau.co/formal-dresses-canberra-c329/)

Princess Caroline confided to his friend Karl Lagerfeld, the Chanel designer queen since 1983, to go and see. So the idea. In the protocol of haute couture there are two important dates, January and July, where parades summer and winter, respectively are made. And a third date, more volatile, for collections of halftime, that climate change has become almost collections for the whole year. To these collections they are called cruise, because they refer to a life long for free time, a little like carrying Carolina. The triple combination Cruise, Chanel, Communism, became intertwined the two Ces signature emblem three. And in a logo that has divided the Caribbean. There are those who believe that the parade was a breath of fresh air for a hot island that has been "isolated more than any other island." Other pundits, like my chat WhastApp, "Little girls won" concluded that "after years of pent Cuba, European socialists continue to make it your scenario, what if nothing had happened?".

Forgetting that it is the initiative of a private company, such as cruise companies, hotels or technology companies already operating in the island. Or like The Rolling Stones concerts or Olga Tanon. In the cafeteria of the studio where I record in Hialeah, the epicenter of the Cuban opposition in Florida, my favorite producer told me: "I can never buy a bag or dress of those, but how nice the Paseo del Prado my city looked, mijito ".(http://www.dressesmallau.co/white-formal-dresses-c168/)

It should be remembered that it is not the first time that the textile industry sneaks into Cuban life. Before Chanel came Adidas, comrades, manufacturer of those tracksuits that Castro imposed as fashionable and comfortable communist who wore uniform rigor which Hugo Chavez and Maduro. In other words, there are precedents between fashion and communism. There's the Mao collar, Lagerfeld skillfully avoided in any cruise attire. For now, the designer, surprised by the criticism, Cuba Libre mixed with another free Coco.

The industry seems ethereal glamor, but has iron claws. Two days before the fashion had its grand parade in the Met gala in Stockholm afforded the crowns of Europe (and Africa, we always forget) on the birthday of Carlos Gustavo. These parties now share a perfume Jurassic Park with Havana, frozen in time by the bótox but not by the embargo.

European real Chanel not dress but anonymous dressmakers who reinterpret and again those rare costumes stuffed with medals and jewelry. They are extravagant galas but complementary. Two carnivals. Two continents.

America got technology, this year the theme was the fashion and technology. While Europe leaned historicism. American meritocracy (where, as we have seen, it is everything and all the talents) and aristocracy (where only accessed by blood or marriage). Therefore, in the royal gala Stockholm we saw Frida, the singer of Abba, turned into an aristocrat with much poise and on the steps of the Met saw Madonna, beyond royalty and reality, showing breasts, face and ass with total self-confidence. Perhaps for that love for technological innovation at the Met gala there was so much sewing rags and faces. But just see Nicole Kidman. No paraded for love or ideas. We do it to stay.
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hannahardson kirjoitti:

But May I start so festive! We have enjoyed three animated shows. In Stockholm celebrated the 70th birthday of King Carl XVI Gustaf of Sweden with a parade of ancient crowned heads, including our emeriti Reyes, who reappeared after a temporary interruption of their coexistence as soon looking forward to it. In Havana, Karl Lagerfeld sewed a stitch master: move the old Paseo del Prado his Chanel cruise collection, collecting applause and virulent criticism accusing him of opportunist before the resurgence of Castros still not free from Havana. And at the Met in New York they returned to parade personalities Anna Wintour, editor of American Vogue, invited to share a moment of immortality. The glamor now is such a political and commercial weapon.

The house Chanel held its parade in Havana and I imagine it would be almost a diplomatic triumph without anticipating the controversy in social networks. It all started with the trip to Cuba of Caroline of Monaco just emerged that United States lifted the economic embargo for 54 years remained on the island and the regime of Fidel Castro.(http://www.dressesmallau.co/formal-dresses-canberra-c329/)

Princess Caroline confided to his friend Karl Lagerfeld, the Chanel designer queen since 1983, to go and see. So the idea. In the protocol of haute couture there are two important dates, January and July, where parades summer and winter, respectively are made. And a third date, more volatile, for collections of halftime, that climate change has become almost collections for the whole year. To these collections they are called cruise, because they refer to a life long for free time, a little like carrying Carolina. The triple combination Cruise, Chanel, Communism, became intertwined the two Ces signature emblem three. And in a logo that has divided the Caribbean. There are those who believe that the parade was a breath of fresh air for a hot island that has been "isolated more than any other island." Other pundits, like my chat WhastApp, "Little girls won" concluded that "after years of pent Cuba, European socialists continue to make it your scenario, what if nothing had happened?".

Forgetting that it is the initiative of a private company, such as cruise companies, hotels or technology companies already operating in the island. Or like The Rolling Stones concerts or Olga Tanon. In the cafeteria of the studio where I record in Hialeah, the epicenter of the Cuban opposition in Florida, my favorite producer told me: "I can never buy a bag or dress of those, but how nice the Paseo del Prado my city looked, mijito ".(http://www.dressesmallau.co/white-formal-dresses-c168/)

It should be remembered that it is not the first time that the textile industry sneaks into Cuban life. Before Chanel came Adidas, comrades, manufacturer of those tracksuits that Castro imposed as fashionable and comfortable communist who wore uniform rigor which Hugo Chavez and Maduro. In other words, there are precedents between fashion and communism. There's the Mao collar, Lagerfeld skillfully avoided in any cruise attire. For now, the designer, surprised by the criticism, Cuba Libre mixed with another free Coco.

The industry seems ethereal glamor, but has iron claws. Two days before the fashion had its grand parade in the Met gala in Stockholm afforded the crowns of Europe (and Africa, we always forget) on the birthday of Carlos Gustavo. These parties now share a perfume Jurassic Park with Havana, frozen in time by the bótox but not by the embargo.

European real Chanel not dress but anonymous dressmakers who reinterpret and again those rare costumes stuffed with medals and jewelry. They are extravagant galas but complementary. Two carnivals. Two continents.

America got technology, this year the theme was the fashion and technology. While Europe leaned historicism. American meritocracy (where, as we have seen, it is everything and all the talents) and aristocracy (where only accessed by blood or marriage). Therefore, in the royal gala Stockholm we saw Frida, the singer of Abba, turned into an aristocrat with much poise and on the steps of the Met saw Madonna, beyond royalty and reality, showing breasts, face and ass with total self-confidence. Perhaps for that love for technological innovation at the Met gala there was so much sewing rags and faces. But just see Nicole Kidman. No paraded for love or ideas. We do it to stay.

Anonyymi
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