Osmo Vänskä saa niin paljon kehuja, ettei ole mitään määrää. Artikkeli löytyy tästä linkistä:
http://www.newyorker.com/critics/music/?050214crmu_music
Tässä lainaus tekstistä:
Vänskä is hugely popular in Minnesota, and this concert showed why. First came a richly voiced “Magic Flute” Overture. Then Mozart’s Piano Concerto No. 27, with Emanuel Ax as the crisp, heartfelt soloist. Finally, the Aho—the composer’s Seventh Symphony, subtitled “Insect Symphony.” Each movement depicts a different insect species, with a human allegory that’s easily detectable. Butterflies dance an insouciant foxtrot and tango; bohemian dung beetles lament lost time; worker ants march in totalitarian lockstep.
http://www.newyorker.com/critics/music/?050214crmu_music
Tässä lainaus tekstistä:
Vänskä is hugely popular in Minnesota, and this concert showed why. First came a richly voiced “Magic Flute” Overture. Then Mozart’s Piano Concerto No. 27, with Emanuel Ax as the crisp, heartfelt soloist. Finally, the Aho—the composer’s Seventh Symphony, subtitled “Insect Symphony.” Each movement depicts a different insect species, with a human allegory that’s easily detectable. Butterflies dance an insouciant foxtrot and tango; bohemian dung beetles lament lost time; worker ants march in totalitarian lockstep.
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